there are no reasons left to hate. only reasons to love. what american vogue did was represent interracial coupling in the utmost of glamour. shot by annie lebovitz, the world’s most famous couple, kimberly kardashian and her fianceé, kanye west grace the april issue of the premiere fashion publication of all the world, vogue. the cover goes beyond what can be said of celebrity, or beyond what public relations offices could have ever built. there is a gap that has been bridged, a void that has now been filled. what happened when kim and kanye decided to get together was a merge; a blending of media culture. him from chicago, raised by a photojournalist and an english professor. her from los angeles, being raised by an armenian-american attorney businessman and stewardess. both have had upbringings that have shaped their view of the world, and have remarkably impacted the ways that they have built their own separate empires in music, film, fashion and commercial media. kanye’s fruitful career as a producer evolved into an even more fruitful career as one of rap’s most regarded performance artists, moving beyond the confines of urban media, and into the glossy competitive world of high fashion luxury. kim’s career as an american television personality has lent her image to a string of successful brands, and has assisted in further expanding the family business built on the kardashian name, along with her two sisters kourtney and khloé, all managed by their mother.
kanye’s career began to take an upshift while, he too was managed by his mother. kim learned the ropes of the entertainment industry, working for her dad at his entertainment firm, where she learned to hone in on her entrepreneurial instincts. kanye became quickly linked to rappers like jay-z, lending his production genius to various projects. as he developed as a solo artist, the visual component of his work rapidly developed through collaborations with world renowned artists and luxury designers. kim began gaining traction with her television career, which documents the life she leads with her two other sisters, brother and two step sisters. as their private boutique business developed, along with their regular television exposure, the world of celebrity embraced them. the public quickly became fascinated with both kim and kanye separately.
the two were associated for many years as friends before they joined in union in 2012. the two share a common struggle of the glaring spotlight, and the tragedy of losing a parent. both kim and kanye’s romantic struggles have separately and very publicly played out for the world’s stage. scrutinized for everything from styling choices, lyrics, romantic choices, or even the name of their child- one thing still remains, these two are making history. for my top 20 covers of 2013, kim kardashian was the only female to rank in my listing twice. the two appear in what is the first ever cover in vogue history for an interracial couple. a major feat and major first of intense value, the cover also beautifully represents what it means to be an american. that diversity, the blending of culture and that heightened sense of beauty. this will no doubt be the number one cover of the year, in my book. and i don’t give a fuck about what you think about kim kardashian, because she has become an emblem for women of color in business. kanye west actively pushes the artists boundaries in the music industry and no two could have been a better fit. a better fit for a vogue cover, a better fit for the world of celebrity and a better fit as a representation of what love can be in or out of the spotlight. to put it simple, this is progress for individuals of color.
congratulations to both kim kardashian and kanye west
special thanks to vogue and conde nast